Author: Allan Wilson
Covenant
★★★★☆ Dystopian
Covenant, written, directed and produced by Turning Point Theatre Company invites the audience to consider the possibility of a dystopian future in which control over women’s bodies is at an all-time high and existing legislation has been taken to an extreme position.
Oedipus Doesn’t Live Here Anymore
★★★☆☆ Uncompromising
Edinburgh University Theatre Company’s Oedipus Doesn’t Live Here Anymore is a challengingly complex update to the Greek myth of Oedipus, who unknowingly killed his father and married his mother.
Chatterbox
★★★★☆ Gentle humour
Lubna Kerr’s Chatterbox, at the Pleasance Courtyard all Fringe, builds on her difficult experiences of growing up as a child of Muslim heritage in 1970s Scotland.
Tartan Tat
★★★★☆ Authentic comedy
Shark Bait Theatre’s Tartan Tat, playing theSpace @ Niddry St for the first two weeks of the Fringe, is a very funny play set in a tourist gift shop on Edinburgh’s Royal Mile.
Napoleon’s 100 Days
★★☆☆☆ Basic
Napoleon’s 100 Days is a comic telling of Napoleon’s epic escape from captivity on the island of Elba, performed by its writer and producer Andy D (for Dickinson) at Paradise in the Vault for the first two weeks of the Fringe.
Dead Girls Rising
★★★★☆ Emotional roller-coaster
Silent Uproar’s new touring production of Dead Girls Rising, at the Traverse for three performances, is an emotional roller-coaster of punk gig theatre focusing on two young women as they navigate a pathway through lives faced with misogyny and a violent patriarchy.
David Bowie & Me: Parallel Lives
★★★★☆ Hilarious reflections
Gilded Balloon’s presentation of Jack Docherty in David Bowie & Me: Parallel Lives takes a 1997 interview on Docherty’s TV chat show with his teenage hero, David Bowie as a starting point for some hilarious reflections on a childhood growing up in 1970s Edinburgh.
Louder
Showcase: Most worthwhile
Framework Theatre’s Louder is a showcase for “semi-staged draft works of four brand new plays, all written & directed by early-career artists of marginalised genders.”
Who We Are Now
Work in Progress: 70s/80s vibe
Edinburgh University Theatre Company’s Who We Are Now, written and directed by Thaddeus Buttrey and produced by Ching Zhan, is a rock opera presented as a work in progress, that is already giving off a very enjoyable 70s/80s vibe.













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