Author: Rebecca Mahar
Seating Plan
★★★★☆ Snappy
In a witty two-hander about missed connections, wrong timing, and the opportunities that present themselves —or don’t— by chance in life, Seating Plan trips onto the Nip stage at Gilded Balloon Patter Hoose, raised-glass in hand.
Antigone
★★☆☆☆ Ponderous
The Mythography Collective bring their production of the tragedy of Antigone back to the Fringe, with a festival-long run at the French Institute in Scotland.
Float
★★★★★ Luminous
In a world premiere from writer and performer Indra Wilson, F-Bomb Theatre brings Float to the stage of the Gilded Balloon Patter Hoose for a run covering the whole Fringe.
Homo(Sapien)
★★★★☆ Wholehearted
Written and performed by Conor O’Dwyer, Homo(sapien) is a darkly comedic monodrama about identity, sex, and the tribulations of growing up queer in a society that’s both hateful and accepting.
Will power
Rebecca Mahar talks to Salvador Kent about form, farce and clowning in political theatre
The General Will is a new play at the Fringe from up-and-coming Edinburgh-based writer and director Salvador Kent, who uses the the meta-analysis of clown to critique current events and the political players who shape them.
Footloose
★★★★☆ Vigorous
Dancing onto the Festival Theatre stage with boundless energy and enthusiasm, The Beyond Broadway Experience presents a Footloose that is a showcase of Scottish talent and training, an invigorating look into the up-and-coming generations of musical theatre performers.
Grease
★★★★☆ Raucous
Grease is a raucous, riotous classic of 1970s American musical theatre, and this new co-production between Pitlochry Festival Theatre and Blackpool Grand Theatre is packed with heart, soul, and exceptional actor-musicianship.
The Great Gatsby
★★★★★ Sensational
The Great Gatsby is an extraordinarily difficult story to adapt, but Elizabeth Newman has done it, in a dazzling, hopeful, forlorn and febrile production, helmed by Sarah Brigham and co-produced by Pitlochry Festival Theatre and Derby Theatre.













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