EdFringe 19
The Greenhouse Reviewed
Review round-up: BoxedIn @ The Greenhouse
Whether it is comedy, musical, drama or dance, all the shows at the Greenhouse portray a particular face of environmentalism, and despite being very disparate they share some features.
The Taming of the Shrew
★★★☆☆ Uneven updating:
Arkle’s take on The Taming of the Shrew is a largely successful attempt to make relevant one of Shakespeare’s plays that is most troubling to modern audiences.
First Piano on the Moon
★★★★★ Captivating:
Will Pickvance puts in a captivating performance as a young boy on a journey to achieve his dreams in his latest production for those aged over 5, First Piano on the Moon, at Summerhall.
Broken Funnies
★★★☆☆ Promising debut:
Stand-up comedian Martin Bearne is loud and ill-mannered in his portrayal of a struggling comic in his new one-man play, Broken Funnies.
Low Level Panic
★★★★☆ High level:
Arkle’s early-evening production of Low Level Panic at the Royal Scots Club is excellently put together and performed.
Drone
★★☆☆☆ Interesting visuals:
Directed by Rob Jones, Harry Josephine Giles stars in Drone at Summerhall. This spoken word theatre piece tells the story of a military drone’s life as it reveals the world from its perspective.
Chagos 1971
★★★☆☆ Dark machinations:
Chagos 1971, writer-director Nathaniel Brimmer-Beller’s new work for Black Bat Productions at Zoo Playground, deals with important events in a way that is uneven but has a great deal going for it.
A Man’s A Man
★★★★☆ Moving and fun:
Robert Burns’ poetry has an inherent melodic quality of its own and staging a full-length musical on his life and work seems like a natural progression.
Bugsy Malone
★★★☆☆ Splurge-tastic:
Captivate Theatre’s production of Bugsy Malone takes you right back to the roaring twenties at Gilded Balloon’s Rose Theatre, with two different casts for alternating performances.
A Game of Death and Chance
★★★★☆ Eerily Interesting
Young critics scheme review
In A Game of Death and Chance, the National Trust for Scotland’s first ever Fringe show, four characters from the 17th century – and death himself – have occupied an old Edinburgh tenement to tell stories of Scotland’s past.
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