Lyceum
The Duchess [of Malfi]
★★★★☆ Necessarily nightmarish:
The blood-soaked events of The Duchess [of Malfi], a co-production between the Lyceum and the Citizens Theatre, are almost unwatchably intense at times. As a depiction of timeless and timely considerations, however, this production is hard to beat.
Local Hero
★★★☆☆ Charming:
Local Hero, the Lyceum’s co-production with the Old Vic, has the authenticity and drive one would expect considering the source material, but fails to add much that is new.
Touching The Void
★★★★☆ Viscerally convincing:
There is a depth and grit to Touching The Void at the Lyceum that threatens to carry all before it.
Cyrano de Bergerac
★★★★★ Irresistible:
Visually and verbally intoxicating, Cyrano de Bergerac at the Lyceum is a riotous, joyous expression of the human spirit.
The Hour We Knew Nothing Of Each Other
★★★★☆ Contains multitudes:
Dizzying in its invention and almost ludicrously ambitious in scope, The Hour we Knew Nothing Of Each Other at the Lyceum is undoubtedly uneven but always intriguing.
Creditors
★★★★☆ Compellingly troubling:
Strikingly staged and worryingly contemporary, Creditors at the Lyceum is unsettling and difficult to ignore.
The Belle’s Stratagem
★★★★☆ Exemplary comedy:
Vivacity, wit and downright stupidity abound in The Belle’s Stratagem at the Lyceum, a production of verve and cheek that produces as much laughter as anything seen on the Edinburgh stage in recent years.
The Lover
★★★☆☆ Cool:
There is a bittersweet delicacy to The Lover, the Lyceum’s collaboration with Stellar Quines and Scottish Dance Theatre, that cannot quite compensate for a lack of emotional fire.













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