Summerhall
Rantin – Review
✭✭✭✭✩ Solidarity in storytelling
Possibilities splurge out from Kieren Hurley’s Rantin, which enjoyed a one-night stand at Summerhall while on its month-long tour around the country under the auspices of the National Theatre of Scotland.
Review – Pianomime
Frothy but lacking any real drive, Pianomime is a diverting but ultimately unsatisfactory hour at Summerhall.
Review – Invokation of Lady Macbeth
The opening image of Invokation is an arresting one. A large black pentagram is marked out on the floor, inhabited by two strange figures, one masked like a Venetian carnival figure and the other shrouded in black lace. A doom-laden soundscape heralds the beginning of some kind of black mass.
Review – Enough Already/Lachez Tout
Bizarre to the point of obscurity, French composer-artist Francois Sarhan’s collaboration with Red Note Ensemble slides from the quaint to the surreal – and returns all the stronger for the journey.
Review – Paul Bright’s Confessions of a Justified Sinner
Brilliant in its conception and meticulous in its construction, Untitled Projects’ reconstruction of Paul Bright’s Confessions of a Justified Sinner could have been made to play Summerhall.
Review – The Lives of the High-Rise Saints
✭✭✭✭✩ Absurdly tragic
Sharp, dark and brilliantly realised, Ad Spectatores present Agata Kucinska’s one woman puppet show adaptation of Polish playwright Lidia Amejko’s The Lives of the High-Rise Saints to Saturday as part of the Polska Arts in Edinburgh season at Summerhall.
Review – The Butterfly and the Wolf
Soaring vocal lines and crisp delivery marked out Saturday night’s benefit in aid of charity Lupus UK at Summerhall, culminating in the world premier of new single, The Butterfly and the Wolf.













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