Alan Sunter
I, Claudius
★★★★☆ Epic
Local company Strawmoddie, known for their series of Terry Pratchett stage adaptations, take on ancient Rome in an ambitious two-part production of I, Claudius, bringing the 1976 television series to the stage for the first time in this limited world-premiere run.
Amadeus
★★★★☆ Impressive
Amadeus from Strawmoddie is a powerful production, showing off the Pianodrome in its new Bruntsfield home to great advantage.
The Fifth Elephant
★★★☆☆ Slipped discworld
Strawmoddie Theatre return to the Pleasance with Stephen Briggs adaptation of The Fifth Elephant, ten years since the death of author Terry Pratchett and ten years since they were established.
Lord Arthur Savile’s Crime
★★★★☆ Accomplished
Perfectly poised and beautifully staged, Lord Arthur Savile’s Crime by Threepenny Theatricals at the Church Hill is great fun.
Amadeus
★★★★☆ Intimate
Edinburgh-based Strawmoddie theatre company bring Peter Shaffer’s Amadeus to the Pianodrome in a powerful examination of the jealousy of mediocrity in the face of genius.
Conspiracy
★★★★★ Bureaucratic nightmare
Conspiracy, a co-production between Edinburgh-based grassroots companies Strawmoddie and RFT, is a chilling and almost obscenely mundane account of the Wannsee Conference, held in a Berlin suburb in January 1942.
Macbeth & Dunsinane
Macbeth: ★★★☆☆ Speedy
Dunsinane: ★★★★☆ Bloody
A Necessary Cat have done it again – bringing a powerful double helping of a Shakespeare starter and Shakespeare-adjacent main course to the Fringe in which the whole is better the sum of its parts.
Terry Pratchett’s Hogfather
★★★☆☆ Well-turned
Amidst the noise, rituals and trappings of pantomime and Christmas, Strawmoddie’s take on Terry Pratchett’s Hogfather provides a welcome parody of our seasonal excess, at the Pleasance Theatre to Sunday.
Hamlet / Rosencrantz and Guildenstern Are Dead by Tom Stoppard
★★★☆☆ Pacy and ★★★★☆ Slick
New Edinburgh amateur company Necessary Cat make their debut performances for the last week only of the fringe with the elegantly twinned pairing of Shakespeare’s Hamlet and Tom Stoppard’s Rosencrantz and Guildenstern Are Dead.













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