Bedlam
Monty Panto and the 12(ish) Labours
★★★☆☆ Light-hearted fun
In Monty Panto and the 12(ish) Labours at the Bedlam, mixed messages purposefully run riot. While it is neither quite a panto nor yet a full tribute to Monty Python, it provides solid entertainment from beginning to end.
The Booth
★★★☆☆ Comic confusion
Edinburgh University Theatre Group’s The Booth takes a satirical, but affectionate, look back to the 1950s, when Foley artists ruled the airwaves, using household objects to create so many of the sound effects that brought radio drama to life.
Salomé
★★★★☆ Uneven but compelling
Edinburgh University Theatre Company’s presentation of Oscar Wilde’s Salomé is wilfully uneven, not always carefully judged, yet ultimately extremely impressive.
H.M.S. Pinafore
★★★★☆ Works beautifully
Edinburgh University’s Savoy Opera Group’s latest production brings a new approach to HMS Pinafore, one of Gilbert and Sullivan’s most popular comic operas.
Shakers
★★★☆☆ Funny
The EUTC make a decent fist of Shakers, at the Bedlam all week, playing to the broad comedy of the John Godber and Jane Thornton’s script but finding their best in its moments of pathos.
Translations
★★★★☆ Clear
Edinburgh University Theatre Company bring a welcome clarity to Translations, at the Bedlam to Saturday, in a production which gets inside the many shades of meaning to Brian Friel’s script.
A Dolls House
★★★☆☆ Effervescent
The EUTC have taken Ibsen’s great classic, A Dolls House, and given it an immersive telling at the Bedlam all week, in a production which updates the setting to contemporary times.
Mary Queen of Scots got her Head Chopped Off
★★★★☆ Clear bright corbie:
The EUTC bring a strong understanding and sense of purpose to this production of Liz Lochhead’s great 1987 play Mary Queen of Scots Got Her Head Chopped Off, at the Bedlam to Saturday.
Barry
★★★☆☆ Smiling engagement:
Barry, Shrinking Violet’s devised play which is at the Bedlam for five days only, attempts to find out who Edinburgh’s famous Doctor James Barry really was.
She Can’t Half Talk
★★☆☆☆ Unconvincing lives:
She Can’t Half Talk, EUTC’s Fringe production at the Bedlam, is a varied set of stories that contains much of promise but fails to convince as a coherent whole.
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