Cameron Broadley
Bull/Fight
★★★★☆ Intense
Bull/Fight at Summerhall throughout the Fringe is an elliptical piece of physical theatre that has real power.
Follow Me
★★★★☆ Weirdly plausible
The Dog Ate My Theatre and New Celts’ Follow Me at theSpace on the Mile is a breathless and often ludicrous romp whose sheer brass neck, and roots in contemporary unreality, win out in the end.
Rosencrantz and Guildenstern Are Dead
★★★☆☆ Clear
New grassroots company Gutter Theatre give a commendably solid showing for their inaugural production: Tom Stoppard’s Rosencrantz and Guildenstern Are Dead, playing upstairs at Assembly Roxy to Saturday.
Much Ado About Nothing
★★★☆☆ Energetic
The Edinburgh University Shakespeare Company’s Much Ado About Nothing at the Pleasance is a good-natured if uneven production.
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