Carol Davidson
Dracula
★★★★☆ Considered
The Edinburgh Makars’ production of Dracula, at the Royal Scots Club for the last week of the Fringe, is an intelligent and atmospheric (if overlong) production, benefiting from some tremendous acting.
The Importance of Being Earnest
★★★☆☆ Perspicacious
The Edinburgh Makars return to the Church Hill theatre with a bounce in their step for three performances of a nicely juicy production of The Importance of Being Earnest.
Prescription For Murder
★★★☆☆ Pleasing:
Prescription For Murder, from the Edinburgh Makars at the Church Hill Theatre, is one of those odd English crime dramas that provide more reassurance than apprehension.
Plaza Suite
★★★☆☆ Erratic comedy:
The Edinburgh Makars’ production of Neil Simon’s Plaza Suite has considerable comic appeal, even if it takes some time to materialise.
Oedipus & Hands Across the Sea
★★★★☆ Double Dose:
Congratulations to which ever member of the Edinburgh Makars thought of staging Sophocles’ bloody Oedipus in a seemingly incongruous double bill with a Noel Coward one-act farce. Truth is, the incongruity works.
Neighbourhood Watch
★★★☆☆ Stately:
There is a comic and political bite to the Edinburgh Makars’ Neighbourhood Watch that gives it as much impact as other Alan Ayckbourn productions of twice the length and many times the budget.
Good Things
★★★☆☆ Heartfelt:
There are plenty of Good Things in the Makars’ production of Liz Lochhead’s play of that name, in a production that is solid if not spectacular.
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