Dario Dalla Costa
I, Claudius
★★★★☆ Epic
Local company Strawmoddie, known for their series of Terry Pratchett stage adaptations, take on ancient Rome in an ambitious two-part production of I, Claudius, bringing the 1976 television series to the stage for the first time in this limited world-premiere run.
Rosencrantz and Guildenstern Are Dead
★★★☆☆ Solid
The Makars give a solid account of Rosencrantz and Guildenstern Are Dead at the Church Hill Theatre, in a production which speaks to the mundanities of Tom Stoppard’s script while allowing its humour to speak for itself.
Lord Arthur Savile’s Crime
★★★★☆ Accomplished
Perfectly poised and beautifully staged, Lord Arthur Savile’s Crime by Threepenny Theatricals at the Church Hill is great fun.
Going Postal
★★★★☆ First Class
Strawmoddie’s Going Postal, their fourth production of a Terry Pratchett novel adapted for the stage by Stephen Briggs, is delivered with all due care and attention to detail at the Pleasance Theatre to Sunday.
The Fastest Clock in the Universe
★★★★☆ Febrile
EGTG drill down deep into the vicious heart of Philip Ridley’s The Fastest Clock in the Universe, in a production at the Assembly Roxy which never goes quite where you expect it to.
Catching time with EGTG
EGTG Director Abbye Eva and lead actor Caden Scott on The Fastest Clock in the Universe
This week, EGTG continue their platinum season with a production of Philip Ridley’s 1992 dark comedy thriller, The Fastest Clock in the Universe, at Assembly Roxy for five performance.
Terry Pratchett’s Hogfather
★★★☆☆ Well-turned
Amidst the noise, rituals and trappings of pantomime and Christmas, Strawmoddie’s take on Terry Pratchett’s Hogfather provides a welcome parody of our seasonal excess, at the Pleasance Theatre to Sunday.
A Comedy of Tenors
★★★★☆ Ludicrous
The Edinburgh Makars sail through the old-fashioned farce of A Comedy of Tenors at The Royal Scots Club with about as much pace, timing and sheer energy as you could hope.
The Taming of the Shrew
★★★☆☆ Suspiciously old-fashioned
The Edinburgh Makars’ production of Shakespeare’s The Taming of the Shrew, at the Church Hill until Friday, is an apparently traditional version of the play which may well be more quietly subversive than many modern revisions.
Perfect Wedding
★★★★★ Practically perfect:
Perfect Wedding, the Edinburgh Makars’ production at the Royal Scots, is an object lesson in how to put on a farce.
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