Graham Mackay-Bruce
Mayflies
★★★★☆ Sparkling
Grid Iron’s site-specific Mayflies is in part a massively spirited hymn to the youth culture of the 1980s. But you don’t have to have lived through that decade to appreciate such a melancholy yet defiantly bright production.
Lyceum at Home on Stage
★★★★☆ Inviting
The Lyceum’s At Home on Stage provides an affecting series of performances, losing a little when divorced from their original settings, but convincing nevertheless.
![The Duchess [of Malfi]](https://aet.dwrinter.net/wp-content/uploads/2019/05/2.-Angus-Miller-as-Ferdinand-and-Kirsty-Stuart-as-The-Duchess.-Photo-credit-Mihaela-Bodlovic-190x127.jpg "The Duchess [of Malfi]")
The Duchess [of Malfi]
★★★★☆ Necessarily nightmarish:
The blood-soaked events of The Duchess [of Malfi], a co-production between the Lyceum and the Citizens Theatre, are almost unwatchably intense at times. As a depiction of timeless and timely considerations, however, this production is hard to beat.
The Last Witch
★★★★☆ Hard as rock:
There is a visceral compulsion to Pitlochry Festival Theatre and Firebrand’s The Last Witch at the Traverse. While apparently telling of a disappeared world, its evocations of fears, suspicions and power imbalances are worryingly contemporary.
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