Hilary Spiers
Sweet
★★★★☆ Spirited and original
Sweet from EGTG for week one of the Fringe only, explores a spirited and original tale of Edinburgh’s complicity in benefiting from the slave trade, and some of the women who stood up to campaign against it.
Daisy Pulls It Off
★★★★☆ Spiffing
Daisy Pulls It Off, from The Grads at Hill Street Theatre, is as frothy as ginger beer and hugely entertaining.
The Curious Incident of the Dog in the Night-Time
★★★★☆ Stunningly crafted
EGTG’s production of The Curious Incident of the Dog in the Night-Time, at the Assembly Roxy to Friday, is a beautifully directed exploration of the autistic experience, based on Mark Haddon’s novel of the same name.
The Children
★★★★☆ Contemplative
Edinburgh Graduate Theatre Group’s late show at the Royal Scots Club, Lucy Kirkwood’s The Children, is a bleak and thoughtful look at everyday life in the wake of a disaster, and the choices its survivors must make.
The Watsons
★★★★☆ Intriguing
The Watsons, from Edinburgh People’s Theatre at the Church Hill, is an attractive production of a clever (if distinctly odd) literary adaptation.
baba
★★☆☆☆ Unfulfilled
The Edinburgh Graduate Theatre Group brings a new festive folktale to the Pleasance stage this weekend in the form of baba, a new take on the old tales of Baba Yaga and her house on chicken legs. This piece has many ambitions, but falls short of achieving them in its writing and execution.
A Singular Deception
★★★☆☆ Medical mystery
Edinburgh Graduate Theatre Group mark their 70th year with A Singular Deception, a new play by company member Hilary Spiers which is the first of two shows at the Royal Scots Club for Week One of the Fringe.
Ghosts of North Leith
★★★★☆ A haunting tale
Following a trial reading at Leith Festival earlier this year, the Ghosts of North Leith have been brought home in Citadel Arts Group’s production, which returns them to the church near by the cemetery where they are buried.













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