Karen Fishwick
The Burns Project
★★★★☆ Nuanced
The Burns Project, by James Clements (in collaboration with the National Trust for Scotland) at the Lyceum, is an engaging, beautifully performed piece full of both vitality and subtlety.
KELI
★★★★☆ Affecting
First seen in preview at the Lyceum, and having gone through several different incarnations, Martin Green’s play KELI is finally a full-length stage drama
#TakeASeat
★★★★★ Necessary mementos:
Theatre, as we knew it, might not have made a return to the Lyceum just yet, but there is enough drama in the #TakeASeat exhibition, viewable in the foyer until October 3, to engage as performance.
Traverse Festival (2)
Shielding , Doomsdays, Matterhorn & The Watercooler:
The Traverse’s online Festival continues with three more audio-only Breakfast Plays, as well as some treats that are more visual.
Traverse Breakfast Plays: New Tracks (1)
Traverse 3:
The Traverse are replicating their Fringe Breakfast Plays with streams from their new online-only Traverse 3, and the first two offerings – Contemporary Political Ethics (Or, How to Cheat) by Jamie Cowan and Rabbit Catcher by Rebecca Martin – both have much to recommend them.
Our Ladies Olivier Noms
Our Ladies of Perpetual Succour cast nominated for Olivier:
The entire cast of the NTS co-production with Live Theatre, Our Ladies of Perpetual Succour, has been nominated for the “Best Supporting Actress” award in this year’s Oliviers.
Our Ladies Of Perpetual Succour
★★★★★ Riotous assembly:
Our Ladies Of Perpetual Succour is a massive beast of a thing, beautifully crafted in its ragged humanity and utterly irresistible.













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