EdFringe 2022
Fire Signs
★★★☆☆ Relatable
Fire Signs from the Edinburgh University Theatre Company at Pleasance Courtyard until August 15, is a celebration of the intensity of friendships at university.
Prometheus Bound (Io’s Version)
★★★☆☆ Frustrating
An almost wilfully uneven recasting of Greek myth, Prometheus Bound (Io’s Version) – from New Celts and Myths Unbound at theSpace on the Mile – fascinates and exasperates in almost equal measure.
Tales of Vomit, Trash and Broken Glass
★★★☆☆ Ambitious
Tales of Vomit, Trash and Broken Glass, from New Celts and Not So Nice! at theSpace on the Mile, has endless ambition. The result does not always convince, but always engrosses.
Born Under A Bad Sign
★★★☆☆ Lively
Born Under A Bad Sign, New Celts and Raw Toast’s evocation of male friendship and football, contains much to enjoy.
Crossing The Void
★★★★☆ Spookily real
Crossing The Void, Sally MacAlister’s play for New Celts and koi collective at theSpace on the Mile, hops genres seemingly at will. It ends up as a coherent and sensitive portrayal of very tricky subjects.
The Beatles were a Boyband
★★★★☆ Powerful
In a world where misogyny and sexual violence is normalised, F-Bomb Theatre’s powerful new show The Beatles Were a Boyband asks why?
Tim Crouch: Truth’s a Dog Must to Kennel
★★★★★ Exit, mind blown
Truth’s a Dog Must to Kennel is a worryingly prescient piece. It is an exquisite creation that apparently denies the very point of creativity, a hymn to humanity that insists that humanity has had it. To call it ‘thought-provoking’ would be a criminal understatement.
Bloody Wimmin
★★★★☆ Connecting
Strong individual performances ensure that EGTG’s production of Lucy Kirkwood’s Bloody Wimmin, at the Royal Scots Club for one week only, gives real life to the connection between two protest movements, twenty years apart.
The Deil’s Awa’
★★★★☆ Devilishly funny
Edinburgh People’s Theatre attack The Deil’s Awa’ at Mayfield Salisbury Church with such humour and panache that the result is nigh on irresistible.
Green Knight
★★★★☆ Sensual
Debbie Cannon gives an intimate and transgressive telling of the story of Sir Gawain and the Green Knight in the upper rooms of the Scottish Storytelling Centre until Sunday 14 August.
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