Martin Gray
The Yeomen of the Guard
★★★★☆ A classic with clarity
The good men and women of Edinburgh Gilbert and Sullivan Society do more than yeoman service as they present arguably the greatest Savoy opera at the Festival Theatre.
My Fair Lady
★★★★★ Simply Loverly
Lerner and Loewe’s classic musical, My Fair Lady, warms hearts in a chilly Playhouse, where it is in residency into the New Year, with a sumptuous, but not soulless, production.
Sinbad the Pantomime
★★★★☆ Sin-good
It’s beginning to look a lot like Christmas as Sinbad sails into Musselburgh’s Brunton Theatre for the festive season. And with the Arabian Nights legend, played with gusto by Calum Barbour, comes a slew of familiar faces making up the supporting cast.
Bugsy Malone
★★★☆☆ Goo Housekeeping
So you wanna see a musical? Then Edinburgh Playhouse has just that this week as Bugsy Malone roars into town, staying right through to Sunday.
Saturday Night Fever
★★★☆☆ Fever dream
It’s back to the Seventies at the Playhouse this week, as the venue becomes a disco for a dose of Saturday Night Fever ever night until Saturday.
South Pacific
★★★★☆ Enchanted evening
Rodgers and Hammerstein’s South Pacific comes to the Festival Theatre for a week, bringing triumph, tragedy and a truckload of Broadway’s best tunes.
Sunshine on Leith
★★★☆☆ Sunshine and showers
With the Edinburgh King’s set to bring down the curtain for a refurbishment, what could be better than a good old Sunshine on Leith singsong to send it on its way?
Sunshine on Leith
★★★★☆ Bring me sunshine
Community theatre gets real this week at the Brunton in Musselburgh, where this fab amateur production of Sunshine on Leith is running until Saturday.
Anything Goes
★★★★★ Just go!
The West End hits central Edinburgh this week, as Cole Porter’s seaborne musical Anything Goes sails into the Festival Theatre for a very limited run until this Sunday.
Fantastically Great Women Who Changed The World
★★★★★ Find your joy
With a title like Fantastically Great Women Who Changed The World, it’s unsurprising that the first night King’s audience for this touring production was mainly female.
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