Òran Mór
PPP: Bottom’s Dream
★★★★☆ Smart
The last in this season of Òran Mór’s A Play, A Pie and A Pint at the Traverse, is a good one to go out on. Bottom’s Dream, written and performed by Martin O’Connor, is clever and constantly amusing, making necessary and cogent points about the theatre.
PPP: The Hen Night
★★★★☆ Excellent ensemble
The Hen Night by Debbie Hannan, the last in the current season of A Play, Pie and a Pint from Òran Mór at Assembly Roxy, is a wonderfully performed piece that is great fun as well as deceptively serious.
PPP: The Corinthian
★★★★☆ Necessary
The Corinthian by Joe McCann, the latest Play, Pie and a Pint from Òran Mór at Assembly Roxy, is an engrossing, splendidly performed and utterly timely piece of theatre.
PPP: Funeral For My Boobs
★★★☆☆ Lively
Funeral For My Boobs by Hannah Howie, the latest Play, Pie and a Pint from Òran Mór at Assembly Roxy, is a touching autobiographical tale presented as an all-singing, all-dancing spectacular.
PPP: Off The Rails
★★★★☆ Hugely promising
Off The Rails is an auspicious start for the first season at the Assembly Roxy of Òran Mór’s legendary A Play, a Pie and a Pint. The extremely impressive mini-musical is the professional writing debut of Stephanie MacGaraidh, who has also written the songs and is the play’s sole performer.
PPP: Miss Lockwood Isn’t Well
★★★☆☆ Patchy
Miss Lockwood Isn’t Well by James Reilly, the last of the Spring season of Òran Mór’s Play, A Pie and A Pint productions at the Traverse, is an intriguing comedy that contains some moments which misfire.
PPP: The Swansong
★★★★☆ Emotional
The Swansong is undoubtedly one of the most impressive of Òran Mór’s A Play, A Pie and A Pint offerings to visit the Traverse in recent years.
PPP: The Legend of Davie McKenzie
★★★☆☆ Ebullient
The Legend of Davie McKenzie, the latest A Pie and A Pint from Òran Mór at the Traverse, is an energetic and emotional piece.
PPP: Someone’s Knockin’ at the Door
★★★☆☆ Charming
Someone’s Knockin’ at the Door, the first in the new batch of A Play, A Pie and A Pint from Òran Mór at the Traverse, is a well-performed and pleasing – if ultimately insubstantial – production













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