Royal Scots Club
Lilies on the Land
★★★★☆ Beautiful drama
Following on from the success of their production of David Haig’s Pressure in April, Arkle Theatre have returned to World War 2 for Lilies on the Land as the early evening Fringe offering.
The Curious Case of Osgood Mackenzie
★★★☆☆ Unusual staging
The Curious Case of Osgood Mackenzie, from Arkle at the Royal Scots Club, is a well researched slice of Scottish history, presented in a way that has genuine novelty.
The Importance of Being Earnest
★★★☆☆ Spirited
Arkle’s production of The Importance of Being Earnest at the Royal Scots Club has a headlong momentum that impresses, even if it is not always ideally suited to the play.
crackers
★★★☆☆ Strong performances
Edinburgh based writer cmf wood’s crackers, at the Royal Scots Club, performed by EGTG explores the stigma attached to mental ill-health, particularly amongst teenagers.
Shakers
★★★★☆ Impressive
The Edinburgh Graduate Theatre Group revive Shakers to great effect at The Royal Scots Club for the first week of the Fringe only.
The Joy of Sets
The challenges and rewards of set building
The Edinburgh Makars are looking for a volunteer to take the lead on set design and construction, as their current set builder, Alasdair Taylor, is looking to step down from the role to pursue other interests.
Tay Bridge
★★★★☆ Compelling
There is a confidence to the staging and performing of Tay Bridge, from Arkle at the Royal Scots Club for one week, that is thoroughly involving.
Silent Night
★★★★☆ Warming
Silent Night, from Arkle at the Royal Scots Club for one week only, is a cheering and beautifully assembled production.
The Wishing Well
★★★☆☆ Good concept
Kate Macsween’s one act play The Wishing Well, at The Royal Scots Club for the first week of the Fringe only, accentuates the pain of losing a baby or an infant.













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