Simon Wilkinson
The Weir
★★★★☆ Quietly affecting:
Superbly judged performances and a clever, organic approach to staging make for an effectively spooky time in the Lyceum’s production of Conor McPherson’s The Weir.
Tracks of the Winter Bear
★★★☆☆ Two winter’s tales:
Tracks of the Winter Bear, the Traverse’s pre-Christmas show which plays up until Christmas Eve, is an odd beast.
The Lion, The Witch and The Wardrobe
★★★★☆ Charming:
Magic, awe and charm are all offered in abundance at The Lyceum’s Christmas production of The Lion, the Witch and the Wardrobe, showing until 3 January.
Extra Light Boxes Shows
Matinees added to sell-out run:
As news broke of four extra weekend matinees being added to the sell-out run of Grid Iron’s show Light Boxes, we took the chance to speak to the show’s director, Finn den Hertog.
Arches Call at CATS
Venue closure casts shadow over awards ceremony
“Different type of working model” needed in the future, says founding director as the Arches dominate the speeches at Sunday’s Critics Award for Theatre in Scotland
CATS Citations
The winners and the critics’ citations in full:
The Royal Lyceum dominated the awards at the Critics Awards for Theatre in Scotland, held at the Glasgow Tron theatre on Sunday 14 June 2014.
Edinburgh dominates CATS
All but one Critics’ award for Edinburgh companies:
The Royal Lyceum has triumphed at this year’s Critics Awards for Theatre in Scotland, with three productions winning a total of six gongs between them.
Hedda Gabler
✭✭✭✩✩ Mixed success:
Although considered and intelligent in its conception, the Lyceum’s production of Henrik Ibsen’s Hedda Gabler is too uneven to convince entirely.
13 Sunken Years
✭✭✭✭✩ River of emotion
Intriguingly stark, elusive and completely human, Stellar Quines and Lung Ha’s co-production of 13 Sunken Years has a poetic and mysteriously gripping quality.
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