Student Production
The History Boys
★★★★☆ Intelligent
Energy, fine acting and a great deal of thought characterise The History Boys at the Bedlam, where it runs through to Saturday.
Into the Woods
★★★★☆ Melodic
Edinburgh University Savoy Opera Group’s production of Into the Woods, at the Church Hill until Saturday, is musically strong enough to overcome any issues in staging.
Legally Blonde – The Musical
★★★★☆ Perky
Queen Margaret University Musical Theatre Society brings Legally Blonde – The Musical to the Pleasance Theatre for three performances only, in a fun perky production fizzing with energy.
Jellyfish
★★★☆☆ Intriguingly absurdist
Jellyfish, a co-production between The EUTC and Filfbag Theatre at the Bedlam to Sunday, is an intriguingly absurdist tale.
Capture the Flag!
★★★☆☆ Good fun
Capture the Flag! follows a group of fast-food workers on a mandatory company retreat where tensions build and relationships are tested. The Napier Drama Society’s Winter Show at the Scottish Storytelling Centre, is a light-hearted satire filled with workplace drama and absurdity.
The Boys in the Band
★★★★☆ Engaging
The EUTC’s engaging production of Mart Crowley’s 1968, New York-set gay drama, The Boys in the Band, is a well-observed affair which is at its best when it goes past the play’s innate waspishness to find its inner anger.
Biolanthe
★★★☆☆ Inventive
The Edinburgh University Savoy Opera Group has created an inventive updating of Gilbert and Sullivan in Biolanthe, running in the intimate Tech Cube 0 at Summerhall for three performances only.
Mother Clap’s Molly House
★★★★☆ Gloriously vulgar
The EUTC deliver a fully frank and deliciously frivolous take on Mother Clap’s Molly House, Mark Ravenhill’s dark comedy with songs, which plays the Bedlam to Saturday.
Salomé
★★★★☆ Uneven but compelling
Edinburgh University Theatre Company’s presentation of Oscar Wilde’s Salomé is wilfully uneven, not always carefully judged, yet ultimately extremely impressive.
Shakers
★★★☆☆ Funny
The EUTC make a decent fist of Shakers, at the Bedlam all week, playing to the broad comedy of the John Godber and Jane Thornton’s script but finding their best in its moments of pathos.
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