Summerhall
Help Yourself
★★★★☆ Sharp and witty
Dynamic collaborators Jess Brodie and Victoria Bianchi play expert hosts in Help Yourself, from Musselburgh-based Emma Ruse Productions running at Summerhall’s demonstration room for the full Fringe.
First Piano on the Moon (Revisited)
★★★★☆ Twinkling
First Piano on the Moon (Revisited), from Will Pickvance at Summerhall, makes an accomplished show even better.
What You See When Your Eyes Are Closed/What You Don’t See When Your Eyes Are Open
★★★★☆ Intriguing
What You See When Your Eyes Are Closed/What You Don’t See When Your Eyes Are Open at Summerhall is thought-provoking, surprisingly touching and visually intriguing.
I Hate It Here
★★★★☆ Love it here
There are no winners in Sweet Beef’s magnificent I Hate It Here, touring to Summerhall for two nights only, which dives smoothly from joy to desperation in its exploration of zero hour contract culture.
One of Two
★★★☆☆ Involving
One of Two, a one-hander from Jack Hunter in association with Birds of Paradise at Summerhall, presents a personal story with comic assurance and the odd flash of anger.
Ghosts of The Near Future
★★★☆☆ Thoughtful
Striking imagery and genuine empathy distinguish Ghosts of The Near Future at Summerhall. If the piece is not always successful, it is certainly arresting and thought-provoking.
Our festivals: How?
New event asks “What’s next for Scotland’s festival city?”
As plans for a return to live and in-person events in August gather speed, an event at Summerhall this Monday May 30 2022 will bring together artists and researchers to think and talk about the future of Edinburgh’s festivals.













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