Summerhall
Handfast
★★★★☆ Wedded bliss:
Sweet and true, Handfast by Edinburgh-based company Nutshell at Summerhall, is the wedding day you deserve.
Love Song to Lavender Menace
★★★★☆ Heart-warming and funny:
An important piece of LGBT history is explored in Eighties gay romantic comedy, Love Song to Lavender Menace, which returns to Edinburgh this Fringe.
Erewhon
★★★☆☆ Genial technology:
Promising a mixture of old and new technology and material, Erewhon at Summerhall fails to ignite fully, but remains an engaging and amiable production.
Pomona
★★★☆☆ Mixed bag:
Flirting with darkness, Theatre Paradok’s Pomona – at Summerhall until Saturday – is well performed, but ultimately more staid than it first appears.
salt.
★★★★☆ Sharp:
There is huge rage and tight focus in Selina Thompson’s salt., a one-woman show about the legacy of slavery, and how the attitudes that fuelled it still persist.
Stand By
★★★★★ Gripping:
Adam McNamara’s outstanding Stand By profoundly examines the relationship between four officers amidst the unpredictable rhythms of life on the job.
Nothing
★★★☆☆ Teenage nihilism:
One of the glories of the Fringe is how natural it seems to come across a two-handed adaptation of a Young Adult novel about nihilism by a Danish company. While Nothing at Summerhall is largely as intriguing as that sounds, the production does not quite impress as much as it could.
Doglife
★★★★☆ Raw:
Stark truths not often portrayed on stage give Doglife at Summerhall a compelling quality, even if the result could never be called attractive.
How To Act
★★★★★ Manipulative:
Perfect pacing and authentic actors give Graham Eatough’s How To Act for the National Theatre of Scotland at Summerhall a unique shine.
Ubu Roi
★★☆☆☆ Patter, physical
There is no shortage of energy in Ludens Ensemble’s take on Ubu Roi. However, that energy is dissipated in an over-indulgent production.
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