The Speakeasy at The Royal Scots Club
The Séance Starter Kit™
★★★☆☆ Layered
The Séance Starter Kit™ from Get Tae Collective and playing The Speakeasy at The Royal Scots Club is a comedy horror play which touches on elements of the supernatural.
I Love Thee, I Love Thee Not
★★★☆☆ Minimalist
Red Firefly’s production of I Love Thee, I Love Thee Not is billed as a Shakespeare Medley. Medley is a good description as the hour is essentially Shakespeare’s romantic “hits” – dialogues and soliloquies drawn from the full range of the Bard’s plays.
Build a Fort
★★★★☆ Creative
Build a Fort from Not Cricket Productions at The Speakeasy at the Royal Scots Club is a refreshing and fulfilling start to a day at the Fringe, or any other day if it comes to that.
About A Bogle
★★★☆☆ Folklore comes alive
Tying Scottish folklore in with folk songs, About A Bogle from Scotch Bonnet Productions follows two young musicians on their trek across the Isle of Kilmarc to perform at a music festival.
Alan Bennett’s Talking Heads 1
Her Big Chance & A Cream Cracker Under the Settee
★★★★☆ Poignant
This pair of quietly devastating dramatic monologues from Alan Bennett’s Talking Heads series, while written (and firmly rooted) in the 1980s, still stand up as tragicomic meditations on loneliness.
![[Parent]ified](https://aet.dwrinter.net/wp-content/uploads/2026/08/Parentified-THUMB-190x110.jpg "[Parent]ified")
[Parent]ified
★★★★☆ Authentic
[Parent]ified at The Speakeasy is an underground and understated one woman show with great promise, written by Cosette Bolt and starring Rhona O’Donnell.
Death on the Clyde
★★★★☆ Fully-fledged
Death on the Clyde, playing The Speakeasy at The Royal Scots Club for Week One of the Fringe, involves a mix of song, dance, and storytelling to create a well-polished interpretation of Scottish folklore.
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