Vanishing Point
What I’m Here For
★★★★☆ Powerful
What I’m Here For, a collaboration between Vanishing Point and Teater Katapult from Aarhus, Denmark, is an intelligent and compelling piece of politically-informed drama.
Size Matters
★★★☆☆ Whimsical
Size Matters, at the Traverse as part of the Manipulate festival, is an inventive if uneven production.
Plinth
★★★☆☆ Horrors of war
Writer and performer, Al Seed’s latest creation, Plinth, produced by his own company and Vanishing Point and touring to Manipulate, opens with Seed standing on a plinth giving a live rendition of a series of poses found in military statues.
Love The Sinner
★★★★★ Masterful
Imogen Stirling does not miss a beat in Love The Sinner, an enthralling fusion of poetry and electronic music created in collaboration with Vanishing Point at the Traverse for two nights only.
Love Beyond (Act of Remembrance)
★★★★☆ Beautifully poignant
The Raw Material / Vanishing Point production of the world premier of Ramesh Meyyappan’s Love Beyond (Act of Remembrance) is a beautifully poignant contribution to this year’s Manipulate Festival.
Listings: Mon 11 – Sun 17 April 2022
What’s on Edinburgh’s Stages This Week…
All Edinburgh’s major stages are in use this week with some brilliant productions on offer from the NTS at the King’s, Giles Terera at the Lyceum, the Goes Wrong stable at the Festival, Vanishing Point at Traverse (where PPP is in its final week) and the second week of Dreamgirls at Playhouse.
The Dark Carnival
★★★☆☆ Striking:
In The Dark Carnival, Vanishing Point has crafted a strangely fascinating but oddly frustrating entertainment – theatre-cum-gig-cum-cabaret that impresses in fits and starts.
Tabula Rasa
★★☆☆☆ Disjointed:
Tabula Rasa at the Traverse is a collaboration between Scottish Ensemble and Vanishing Point that contains moments of heartfelt beauty but never coheres.
EIF programme announced
Solid showing for Linehan’s second EIF:
Circus, Shakespeare and Sappy Songs will provide just some of the highlights for this year’s Edinburgh International Festival, running 5 – 29 August 2016.
The Destroyed Room
★★★★☆ A lens, darkly:
It is impossible to tell where the theatre starts and ends in Matthew Lenton’s brilliant, dense and lethally of-the-moment The Destroyed Room, at the Traverse to Saturday before touring to London “and beyond”.
Connect
Connect with us on the following social media platforms.