Archive for August, 2026
Glass Child
★★★★☆ Real
Glass Child at Summerhall for the first week of the Fringe inspires not only with its openness and its disarming integrity, but also with its spectacle.
Thunderstruck
★★★★☆ Electric
Thunderstruck in the Netherbow theatre of the Scottish Storytelling Centre is a charming tragicomic underdog story centering on Scotland’s loudest and most misunderstood musical windbag, the bagpipes.
Countdown
★★★☆☆ Evocative
Countdown from Theatre Paradok at theSpace Triplex, is an ensemble piece exploring the mounting pressure facing teaching staff, based on the real experiences of young teachers across the UK and Singapore.
Don’t Know? Have A Go!
★★★★☆ Masterfully crafted
Don’t Know? Have A Go! From Fast Snail Productions, beautifully and sensitively explores the power of memory in an emotionally taxing yet highly comedic production.
[Parent]ified
★★★★☆ Authentic
[Parent]ified at The Speakeasy is an underground and understated one woman show with great promise, written by Cosette Bolt and starring Rhona O’Donnell.
Chicago: Teen Edition
★★★★☆ Glorious
Captivate Theatre presents Chicago: Teen Edition, a marginally toned-down version of the vaudeville-style musical about celebrity culture in 1920s Chicago, featuring murderesses vying for public adoration.
George, Don’t Do That… The Joy of Joyce Grenfell
★★★★☆ Nostalgic
George, Don’t Do That… The Joy of Joyce Grenfell, a celebration of Grenfell’s wit, charm and tunes is performed with panache and verve by Rae Lamond and her accompanist on the piano, Willie Campbell.
The Bear
★★★★☆ Fast and furious
Chekov called his own short play, The Bear, a ‘stupid vaudeville’, but it takes smarts and sass to really bring it to life after nearly 140 years, and this production delivers hilariously.
Sweet
★★★★☆ Spirited and original
Sweet from EGTG for week one of the Fringe only, explores a spirited and original tale of Edinburgh’s complicity in benefiting from the slave trade, and some of the women who stood up to campaign against it.













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