Traverse
PPP: The Swansong
★★★★☆ Emotional
The Swansong is undoubtedly one of the most impressive of Òran Mór’s A Play, A Pie and A Pint offerings to visit the Traverse in recent years.
PPP: The Legend of Davie McKenzie
★★★☆☆ Ebullient
The Legend of Davie McKenzie, the latest A Pie and A Pint from Òran Mór at the Traverse, is an energetic and emotional piece.
PPP: Someone’s Knockin’ at the Door
★★★☆☆ Charming
Someone’s Knockin’ at the Door, the first in the new batch of A Play, A Pie and A Pint from Òran Mór at the Traverse, is a well-performed and pleasing – if ultimately insubstantial – production
Size Matters
★★★☆☆ Whimsical
Size Matters, at the Traverse as part of the Manipulate festival, is an inventive if uneven production.
Òran
★★★★☆ Inventive
Ancient and modern collide in Òran, a technically formidable and well-performed touring production at the Traverse for three days only.
Arlington
★★★★☆ Powerful
There is a rare intensity to Arlington, at the Traverse until Saturday, a new production by Glasgow-based dance/theatre company Shotput of Enda Walsh’s 2016 play, which features a young woman trapped in a room in a state-controlled tower block.
Jean Brodie for Lyceum
NTS tour kicks off in October 2026
A new adaptation by David Harrower of Muriel Spark’s The Prime of Miss Jean Brodie will open at the Lyceum on Friday 9 October 2026 ahead of a tour to the Glasgow Citizens, His Majesty’s Aberdeen and Pitlochry Festival Theatre.
PPP: Righ Iasgair: The Fisher King
★★★☆☆ Jarring
Righ Iasgair: The Fisher King by Kenny Boyle, the last in the current series of the Traverse’s presentations of Òran Mór’s A Play, A Pie & A Pint, is an evocative presentation of Scottish language and culture that fails to carry off a drastic shift in tone.













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