Traverse
Batshit
★★★★★ Visually haunting
Batshit is a powerful reflection on the treatment of women’s mental health, running at Traverse Theatre until Saturday 25 as part of the Scottish Mental Health Arts Festival.
PPP: Maybe Tomorrow
★★★☆☆ Jolly
Maybe Tomorrow, by Brian James O’Sullivan and Hannah Jarrett-Scott from Òran Mór at the Traverse, is one of those mini-musicals that A Play, A Pie & A Pint does so well. If it is all a bit inconsequential, it is highly enjoyable.
Black Hole Sign
★★★★☆ Sadly angry
Black Hole Sign by Uma Nada-Rajah, the Tron/Traverse co-production (in association with the NTS) gives every appearance of being a big deal, including appearing in Traverse One for more than a week. And – despite some real problems – it lives up to its billing.
PPP: Cheapo
★★★☆☆ Promising
Cheapo by Katy Nixon impresses in the way it deals with serious issues. It is well acted and full of life but has something of an unfinished feel.
Man’s Best Friend
★★★★☆ Beautifully performed
Man’s Best Friend by Douglas Maxwell is a Tron Theatre production ending its tour at the Traverse for three performances, and should certainly be caught while you still have the chance.
PPP: Feis
★★☆☆☆ Scattergun
Feis by Anna McGrath, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a cheerful but lightweight comedy that tries to go in too many directions at once.
PPP: Our Brother
★★★☆☆ Serious
Our Brother by Jack MacGregor, the latest Play, Pie and a Pint from Òran Mór at the Traverse, is a tense political drama that is well acted but whose structure occasionally lets it down.
PPP: Wallace
★★★★☆ Intelligent fun
Wallace, the first in the new season from Play, Pie and a Pint at the Traverse, is a sparky, original and historically aware co-production from Òran Mór and Raw Material.
Nowhere
★★★☆☆ Personal
Nowhere at the Traverse for the second half of the Fringe, is presented by Fuel as part of the Here and Now showcase. It is an urgently topical and personally heartfelt, if somewhat uneven, production.













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